About

 

Dan Baldwin is a British contemporary artist known for his 'Psychological landscapes', (Maeve Doyle, Maddox gallery, BBC Radio Soho)

Born in Manchester in 1972, Dan Baldwin studied at Eastbourne College of Art & Design, (1990/92) where he was awarded best student 'Graphic Design' before completing a BA in Communication Media from the Kent Institute of Art (1992-1996) , awarded commendation & invited to stay on as 'Studio Associate'.

 At this time he curated a solo show at the Candid Arts Trust in Islington, with fellow associate Carne Griffiths,  part funded by the kent Institute of Art. Titled Shinola' , featuring 8 artists who all used text in their work.

He then moved to Brighton,(1997) got his first studio and began developing his practice, exhibiting in the Brighton Fringe festival from 1997, & 98, gaining local attention via a collaboration with the band The levellers,his art was seen by the director of the Horsham Arts centre, who offered him a solo show in 1999. This received the most press attention they had ever seen..He has since gone on to become one of the most prominent artists working in the UK today.

Dan Baldwin has created 26 solo exhibitions  in London,Horsham,Newcastle,Jersey,Harrogate,Brighton,Paris,Dubai,West Hollywood /Los-Angeles ,Nantucket,Dublin and New York. He has also presented his work in art fairs & group shows in The Royal Academy, Somerset House,Basel,NYC,Lancaster,San Francisco,Warrington,Portugal,Miami,Tokyo,Manchester, Hong Kong,Antwerp,Zurick,Beirut,and Texas.

His artworks have been licenced for fashion usage, album art, book covers and for use on TV and film .He has three works in the permanent collection of The Groucho Club.

In 2016 the Saatchi gallery presented a solo retrospective of his print editions, featuring roughly 25 prints , many sold out ,in their educational room as well as publishing a new edition with Jealous studios and t-shirt specially.

He has enjoyed high profile collaborations with Max Factor, British Airways,Pete Townsend,Paolo Nutini,Hush,The Keats Museum,Institute for Digital Archeology,(with poet laureatte Simon Armatage and poet Scarlet Sabett) singer Alison Mosshart & Waxsploitation records,UK designer Mercy Delta,Sara Berman ,Penguin Random House, menswear designer Gresham Blake,Tom Speight and Atomic Ski.

He has supported The Teenage Cancer Truat, Teen Cancer USA, Help Refugees, Glasgow Childrens Hospital,Elephant Foundation, British Heart Foundation , C.A.L.M , Shelter,Willow Foundation,Connecting the Roots, Red Cross and many other charities like Arms around the child ' & Caudwell Charity since the early 2000's.

His art is owned by a number of notable collectors including Sir Elton John,Sheperd Fairey,Pat Magnarella, Sir Peter Jones,Sir Ronald Cohen,Bernie Ecclestone,Roger Klein, Petra Ecclestone, Nick frost, Nick Candy ,Jake Chapman,Gilbert & George,Chris Packham,Mary Portas,Darren Strowger, Jeff Wooton,Patsy Palmer, Jo Whiley,Ant Macpartlain,Damien Hirst,Maxim,& Liam Howlett from The Prodigy.

He has featured in Vogue, Elle,Elle Decoration ,The Sunday Times,New York PostJuxtapoz,Art of England, L.A post,Aesthetica, Dazed and Confused, Modern Painters, I.D, Belio,Flair Magazine,Square Mile and  other publications since the early 2000's.

In 2008, his painting The End of Everything (Apocalypse Wow ) sold for over £25,000 in Bonhams first 'Urban Art ' auction alongside works by Banksy, Anthony Micallef, Dface & Faile.

He is primarily a painter who also works on paper, ceramics, printmaking & sculpture.

"New Age Basquiat " Scott Dissick . 

'An artist who approaches painting like a printmaker ' Gillian Duke, Director CCA Galleries Publishers.

"Looking at Dan's work is like meeting old friends to me.It looks as though at some point in our careers we used the same casting agency.I am flattered that Dan writes that he is influenced by my work.I have really enjoyed his work"        

Sir Peter Blake.

"Through multiple stages of reworking & layering each canvas becomes taut & explosive.Mimicking punk,acid trips & pop art,at first glance we prepare ourselves for a full rush of anarchistic free-play.What we in fact get is something much more nuanced,restrained & poetic- the rush is contained.'

Ben Cranfield

"The relationship that has been observed between Baldwin & the still life painters of seventeen century Holland stems from his use of such symbols of life, death & mortality as the flower, the skull, the bird & rotting fruit.Baldwin re-contextualises these symbols, however making them relevant for modern audiences.

Elisa Carmichael, owner Carmichael Gallery Los Angeles.

'Enid Blyton meets the four horses of the Apocalypse ' Dan Hipkin, Ink-d Gallery Brighton

"Thats what I liked about your work when we first met.I Liked the fact that you shot holes in it and werent precious about the process.Its so important in printmaking to be bold, take a leap & get stuck in." 

Brad Faine - Coriander print studio.